Bashu, the Little Stranger (Persian: باشو غریبه کوچک), is a 1986 Iranian drama film directed by Bahram Beizai. The film was produced in 1986, and was released in 1989. This multi-ethnic film was the first Iranian film to make use of the northern dialect of Persian, Gilaki, in a serious context rather than comic relief. (Susan Taslimi playing the main character is Gilaki herself).
Throughout the film, Na'i maintains correspondence with her husband, a war veteran looking for employment, who has been gone for quite some time. She tells him about Bashu, and implores him to return home in time to help with the harvest. Bashu becomes Na'i's helper on the farm, and even accompanies her to the bazaar to sell her goods. Throughout the film, Bashu sees visions of his dead family members, which cause him to wander off. Ultimately, however, he and Na'i are always reunited.
The other adults in the village harangue Na'i about taking Bashu in, often deriding his dark skin and different language, and making comments about washing the dark off of his skin. In addition to the village adults, the school age children taunt and beat Bashu, although the children prove ultimately to be more willing to accept Bashu than the adults. In one scene in which he is being taunted, Bashu picks up a school book and reads aloud a passage stating, We are all the children of Iran. Before this point, the children had assumed Bashu to be either mute or stupid.
In the end, Na'i's husband returns home with no money and missing an arm, having been forced to take on dangerous work that is never identified. He and Na'i argue over her having kept Bashu against his wishes. Bashu comes to her defense, challenging the strange man to identify himself. Na'i's husband tells Bashu that he is his father, and upon this realization, they embrace as though they were always a part of the same family. The film ends with the entire family, including children, running into the farm field, making loud noises together to scare away a troublesome boar.
