leaves of grass first edition

Leaves of Grass (1855) is a poetry collection by the American poet Walt Whitman. Among the poems in the collection are Song of Myself , I Sing the Body Electric , and in later editions, Whitman's elegy to the assassinated President Abraham Lincoln, When Lilacs Last in the Dooryard Bloom'd . Whitman spent his entire life writing Leaves of Grass,[1] revising it in several editions until his death.

leaves of grass first edition

This book is notable for its delight in and praise of the senses during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass (particularly the first edition) exalted the body and the material world. Influenced by Ralph Waldo Emerson and the Transcendentalist movement, itself an offshoot of Romanticism, Whitman's poetry praises nature and the individual human's role in it. However, much like Emerson, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise.

leaves of grass first edition

Leaves of Grass has its genesis in an essay called The Poet by Ralph Waldo Emerson, published in 1845, which expressed the need for the United States to have its own new and unique poet to write about the new country's virtues and vices. Whitman, reading the essay, consciously set out to answer Emerson's call as he began work on the first edition of Leaves of Grass. Whitman, however, downplayed Emerson's influence, stating, I was simmering, simmering, simmering; Emerson brought me to a boil .[2]

leaves of grass first edition

On May 15, 1855, Whitman registered the title Leaves of Grass with the clerk of the United States District Court, Southern District of New Jersey, and received its copyright.[3] The first edition was published in Brooklyn at the Fulton Street printing shop of two Scottish immigrants, James and Andrew Rome, whom Whitman had known since the 1840s,[4] on July 4, 1855. Whitman paid for and did much of the typesetting for the first edition himself. The book did not include the author's name, instead offering an engraving by Samuel Hollyer depicting the poet in work clothes and a jaunty hat, arms at his side.[5] Early advertisements for the first edition appealed to lovers of literary curiosities as an oddity.[6] Sales on the book were few but Whitman was not discouraged.

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